Antonín Dvořák's Symphony No. 9, popularly known as the "From the New World," was introduced at Carnegie Hall in New York City, during a rehearsal and a concert for the public. Dvořák, who was serving as the director of the National Conservatory of Music in America at the time, drew inspiration from his experiences in the United States, particularly its folk music traditions. The work is notable for how it integrates elements of Native American music, spirituals, and European classical techniques, thus reflecting a unique cultural synthesis. The public rehearsal highlighted the composer’s innovative approach, effectively bridging disparate musical traditions.

In the evening, the formal concert premiere took place, conducted by Anton Seidl. The performance was met with an enthusiastic response, signaling not just the triumph of Dvořák's work but also a recognition of the evolving identity of American classical music. The symphony's melodic content and orchestration captured the essence of American landscapes and the spirit of its people, establishing a landmark in the canon of orchestral music. This performance at Carnegie Hall remains a pivotal moment in music history, marking a profound impact on both Dvořák’s legacy and the role of American influences in classical composition.