The première of Felix Mendelssohn's Violin Concerto in E minor, Op. 64, took place in Leipzig, featuring the renowned violinist Ferdinand David as the soloist. Mendelssohn, a leading figure of the Romantic period, had composed this concerto between 1838 and 1844, and it was dedicated to David, a close friend who significantly influenced its final form. David's partnership with Mendelssohn is reflected in the concerto’s dedication and the technical yet expressive playing that it demands, making it a fitting piece for his virtuosic skills.

The performance at the Gewandhaus concert hall was attended by an audience eager for the innovative tones of a new work. Mendelssohn’s concerto stood out for its unique structure, challenging the conventional three-movement format by integrating the first and second movements through a seamless transition. This feature, along with its lyrical themes and intricate interplay between violin and orchestra, set it apart from other concertos of the time. The orchestration allows the violin to shine while remaining balanced with the symphonic elements, a hallmark of Mendelssohn’s compositional style.

The concerto quickly gained popularity, becoming a staple in the violin repertoire due to its attractiveness and the emotional depth it encapsulates. Its immediate success in Leipzig paved the way for extensive performances across Europe, contributing to Mendelssohn's legacy as one of the most important composers of the 19th century and placing the violin concerto as a prominent work in concert halls worldwide.