The first modern performance of Claudio Monteverdi's opera 'Il ritorno d'Ulisse in patria' occurred in Paris, reviving a seminal work of early 17th-century opera composed in 1640. The production took place at the Palais Garnier, a venue renowned for its grandeur and cultural significance. Under the direction of composer and conductor Gian Francesco Malipiero, this performance aimed to return the opera to the stage with historical authenticity while infusing it with 20th-century sensibilities. Malipiero's orchestra and carefully selected cast brought a fresh interpretation to Monteverdi's score, highlighting both its lyrical beauty and dramatic depth.

The context of the performance was particularly significant, as it coincided with a period of revitalization in interest for early music and the baroque style. Scholars and musicians were increasingly focused on reclaiming the repertoire that had been long neglected in favor of newer compositions. This performance showcased not just the music, but also the rich storytelling central to opera. 'Il ritorno d'Ulisse in patria' tells the poignant tale of Odysseus' return to Ithaca after the Trojan War, which resonated with themes of longing, homecoming, and the trials faced by the protagonist.

Importantly, this revival inspired further performances of Monteverdi’s works, leading to increased awareness and appreciation of baroque opera worldwide. It not only set the stage for more modern productions of classical operas but also established a model for performing early music that combined authenticity with contemporary interpretation, raising the standard and expectations for future productions.