Adolf Hitler's visit to Paris marked a significant moment in his regime's relationship with architecture and art. On this occasion, he was joined by notable figures such as architect Albert Speer and sculptor Arno Breker, both instrumental in translating Nazi ideologies into grand designs and artistic expressions. The tour lasted three hours, during which they explored Parisian landmarks, emphasizing the grandeur and historical significance of the structures that had stood for centuries.

The backdrop of this visit was set against the recent fall of France to German forces, which not only symbolized a military victory but also provided Hitler with an opportunity to exhibit the cultural dominance of the Nazi regime. The discussions during the tour revolved around the potential transformation of Parisian architecture to reflect the aspirations of the Third Reich, including the incorporation of monumental designs that aligned with Nazi ideals of strength and beauty.

Hitler was fascinated by the city’s layout and its potential as a canvas for showcasing his architectural ambitions. The tour ultimately reflected a deeper strategy to blend cultural dominance with military power, positioning Nazi Germany as the rightful overseer of European culture and heritage. Speer and Breker were tasked with envisioning a new Paris, one that would serve as a testament to Nazi power and ideology, forever altering the city's historical landscape.