The cantata 'Meine Seel erhebt den Herren,' designated as BWV 10, is a significant early work by Johann Sebastian Bach that captures the essence of his vocal and instrumental style. Written for the Feast of the Visitation, this piece conveys the joy and reverence associated with Mary's visit to her cousin Elizabeth, as recounted in the Gospel of Luke. The lively and uplifting character of the music reflects the themes of praise and exaltation found within the biblical narrative, underpinning the importance of the text in the liturgy of the church year.

First performed in Leipzig, where Bach was fulfilling his role as Thomaskantor, this cantata merges theological depth with sophisticated musicality. It contains five movements, showcasing Bach's innovative use of chorale settings interwoven with expressive arias and a vibrant orchestral accompaniment. The interaction between the chorus and soloists brings out the emotional nuances of the text, making it not just a performance piece but a work of spiritual significance meant for worship.

This premiere was part of a larger cycle of cantatas composed by Bach for various feast days, which he used to enhance the music offerings during church services. 'Meine Seel erhebt den Herren' exemplifies Bach's ability to set sacred texts to music that both uplifts and instructs, reflecting his exceptional skill in marrying worship with art. In the years to follow, this cantata and others would firmly establish Bach’s legacy as one of the greatest composers of sacred music in Western history.